There is something so feminine about Megan Whitmarsh’s work – her requirement that all things turn soft – the plant pot, the newspaper, the mirror – objects with their own weight and materials turned equal into quilted puffs, to match the pillows that sit in a circular way, under a small living room like bench. From the ceiling hung multiple of these cushy planters, the leaves of the plants also turned into tiny pillows, held by the crochet ropes that might be found in a hippie commune, your grandmother’s house, or an Echo Park bungalow, with a soft murmuring cat inside.
